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Vlad's avatar
Nov 25Edited

Very timely indeed!

Lindsay Ellis just posted a video essay on Bluey Adults (paywalled: https://nebula.tv/videos/lindsayellis-bluey-adults/), which rhymes strongly with this post -- the power of the show to speak to the kids, but also to the adults, who are technically experiencing the same events as the kids, but in a very different way. Bluey and Bingo might be having a blast at the movie theater watching a cheesy movie, while Bandit is desperately trying to keep them sitting still and rolling his eyes at the same old tropes he's seen a hundred times... but then of course it's NOT same old tropes to the kids. The adult is there to make the world magical, but they don't get to experience the magic, not in the same way.

This in turn made me think of some of my favorite childhood media -- that is to say, books. I grew up on English children's lit like Winnie the Pooh and Peter Pan (as did many many Soviet children!), and was always a bit put off by the deep sadness in both works, the heartbreaking ending of Winnie the Pooh when Christopher Robin grows up, Peter's angry rejection of an adult Wendy. Why the tragedy? Because the kids finally got to peek (literally or metaphorically) behind the curtain, and, just as you write, turns out the source of magic was the very boring adult that the kids might have fled in the first place.

There's variations on the theme, of course, but I think they only reinforce your thesis. Harry Potter has adults front and center, and they're not boring, but they are pretty messed up, and the process of becoming an adult messes up all the kids. The Magicians is kind of the same, except not as many adults in the picture, and more psychological trauma. Narnia = trauma plus Christian eschatology. In the end, none of us as kids is truly happy to peek behind the curtain, but we inevitably do, and honestly finding a more or less normal person there who needs help seems like the most positive of the possible outcomes.

On that uncertain note, Happy Thanksgiving!

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